Monthly Archives: May 2011

Help fund documentary Hahn on Korean education system

Help fund documentary Hahn on Korean education system

Last week, we did a post about Asians seeking surgery to look Western with plenty of controversy around the piece. Recently, we got word about a documentary about life as a female student in Korea by 19 year old American filmmaker and visual artist Kelley Katzenmeyer. Initially it started as a film about the pressures faced by high schoolers in the Korean education system, but quickly turned into more than that. Korean teenagers also have the added stress of looking a certain way, “Western”. Looking “beautiful” has these students carrying eyelid glue and getting plastic surgery. Here’s more on the documentary:

“Hahn” hopes to explain a very important Korean concept– “한” or “hahn”, a Korean word for which there is no English translation. “Hahn’ is perhaps the driving force that brought South Korea from being one of the poorest countries in Asia to the world’s 13th largest economy in 60 short years. It is perhaps because of “hahn” that Korean students have some of the highest test scores in the world, and a higher rate of acceptance into American Ivy Leagues than any other foreign country. It is also perhaps the reason why, among developed countries, Korea has the highest suicide rate. It’s what’s making Korea one of the strongest countries in the world– but at the same time, one of the weakest.

“Hahn” will follow several Korean teenagers in the most stressful time of their lives- their last year of high school. After studying for roughly sixteen hours each day, their futures boil down to one last exam. On November 10th, 2011, thousands of high school seniors will take a nine hour test that for many, will determine their economic and social status for the rest of their lives.

“Hahn” hopes to reveal why Korean education is extraordinarily competitive, and how it came to be that way.

The film is looking for funding to get better cameras and sound equipment. To learn more about the project, go here.

Fundraising video for Hahn (see the 2:30 mark for more about the pressures to look “beautiful” in high school.)

More about Kelley Katzenmeyer
As a high school senior, Kelley Katzenmeyer won the 2010 YoungArts Gold Award in Cinema, a $10,000 prize, and was nominated as a Presidential Scholar in the Arts, meeting President Obama. During high school, her short film “To Be Remembered” screened at film festivals across America. After graduating from the NC School of the Arts in 2010, Kelley received a full scholarship from the U.S. Department of State to study abroad in South Korea. Recently accepted into Columbia University, she has deferred admission in order to direct a documentary feature film on Korean high school students. Currently, Kelley lives in Seoul, South Korea.

Asian American Pop Stars Rise To Success

Asian American Pop Stars Rise To Success

Interesting piece out of New York on Asian American pop stars rise to success in music. In 1963, Kyu Sakamoto’s “Sukiyaki” was America’s number one hit, staying on top for 14 weeks. 47 years later that another Asian topped the charts. You know the song as Like a G6 by Far East Movement. While FM rises on the West Coast, Aziatix is shooting to be top dog coming out of the East Coast with their song Go.

Two years ago, Korean group Wonder Girls tried to take the world by storm with “Nobody.” will.i.am. is working with girl group 2NE1 and Kanye West recorded with up and coming artist JYJ. Who will be the next breakout Asian/Asian American artist in the US?

Asian American Pop Stars Rise To Success

Aziatix interview about their music and the future for Asian American artists

Kung Fu Panda 2 director Jennifer Yuh Nelson

Kung Fu Panda 2 director Jennifer Yuh Nelson

The director of “Kung Fu Panda 2,” Jennifer Yuh Nelson, had three different titles on first “Kung Fu Panda” – Head of Story, Actions Sequences Supervisor and Dream Sequence Director. And just as Po followed his path to becoming the Dragon Warrior, Nelson had her own journey.

Says director Jennifer Yuh Nelson, “I grew up with Hong Kong action movies, and I brought that sensibility as Head of Story on ‘Kung Fu Panda.’ I was pretty gung ho for all of us to be in that mindset, and I continued that push on this film. I think one of the keys is that we’re all conversant in that vernacular now. And in working on ‘Kung Fu Panda 2,’ that shared experience has come with us, and it informs the story we are telling and the manner in which it is told.

Our goal was to take ‘Kung Fu Panda’ and Po to the next level.” Just as Po has become a better warrior, his newest adventure reflects his deeper immersion into the world of kung fu. Per Nelson: “This film follows more in the tradition of martial arts movies—there are often questions that arise about a newly anointed hero’s past and there are those who seek to challenge his authority.

“Since the release of ‘Kung Fu Panda’, there has been one burning question that people are desperate to answer. The question that defies “Kung Fu Panda 2” Production Information explanation is: Why is Po’s dad a goose? For Po, the Dragon Warrior, it was logical for him to finally realize his father is not his biological father and to seek his origin. While doing so, he learns his past is tied to Lord Shen. The peacock’s challenge is not random, it is the working of fate—something that also figures prominently in martial arts films. And it is only when he learns the truth about who he is that Po is able to confront Shen and his army.”

“In the first film,” continues Nelson, “we learned that heroes come in all shapes and sizes as Po fulfilled his destiny and became the Dragon Warrior. In the sequel, we learn that fate leads us to our destiny – bringing people into our lives that protect us and those that challenge us…allowing us to realize our full potential.”

director Jennifer Yuh Nelson talks Kung Fu Panda 2

More about Jennifer Yuh Nelson

Jennifer Yuh Nelson has lent her talents to four of DreamWorks Animation’s motion pictures: 2008’s Kung Fu Panda (as head of story), 2005’s Madagascar (as story artist), 2003’s Sinbad: Legend of the Seven Seas (as head of story) and 2002’s Spirit: Stallion of the Cimarron (also as story artist). Prior to joining DreamWorks, Nelson worked at HBO Animation, developing various projects and short series. She has worn many hats, serving as director, story artist and character designer for HBO’s animated series Spawn, which won an Emmy Award in 1999 for Outstanding Animated Program. Nelson’s career in animation has spanned several countries, including Korea and Japan, where she oversaw animation for HBO. Nelson has also worked in Sydney, Australia, serving as a story artist and illustrator for the live-action feature Dark City for Mystery Clock Productions. Nelson attended California State University, Long Beach where she received a BFA in Illustration. Nelson has also published several independent comic books.

Kung Fu Panda 2 : Asian American edition

Kung Fu Panda 2 : Asian American edition

In “Kung Fu Panda 2” Po (JACK BLACK) is now living his dream as The Dragon Warrior, protecting the Valley of Peace alongside his friends and fellow kung fu masters, The Furious Five: Tigress (ANGELINA JOLIE); Monkey (JACKIE CHAN); Mantis (SETH ROGEN); Viper (LUCY LIU); and Crane (DAVID CROSS). Also returning is DUSTIN HOFFMAN as the kung fu guru and Po’s mentor, Master Shifu, and JAMES HONG as Mr. Ping, Po’s father and owner of the most popular noodle shop in the village.

Reprising his role as Kung Fu Panda’s Mr. Ping, James Hong recently won the Annie Award for his voice performance in “Kung Fu Panda Holiday.” As Po’s father, the goose Mr. Ping, James Hong—the veteran character actor with more than 60 years’ worth of performances—found the first film “awesome” without any thought of biology or parentage. He comments, “I was flabbergasted by the whole thing, the process, the way it was put together. I just could not believe what I was seeing, in the sense that it was amazing to finally ‘see’ my voice coming out of Ping. I think I saw it at the premiere for the first time, and seeing my voice married together with the character so well, I didn’t know if I was Mr. Ping or Mr. Ping was me. Although I think he might even be a deeper character than I am. He has many facets. I would say, to describe him, he’s a single parent—sort of a Jewish mother and a Chinese father combined, if you can imagine that!”

James Hong talks Kung Fu Panda 2

Returning as the seductive fighter Viper, Lucy Liu couldn’t have been happier that the project was heading into a second chapter. Liu explains, “My experience with the first one was incredible. And then to find out that they wanted to do it again was even more exciting—mostly based on the reaction of the kids that I know that loved the first one. When they saw the movie, a lot of them didn’t know that I was playing Viper, because some are younger and they don’t really associate me with my voice. But once they got that concept, and figured out it was me, suddenly, I was like the President of the United States! All of a sudden, I became this VIP, and they immediately started haranguing me about a sequel, way before one was announced.”

Adulation aside, the quality of the art was of key importance to Liu: “In 3D this time, there’s so much that will be amazing in the animation—the kung fu fighting, the movement, the landscape of China, the architecture of Shen’s city. To see it really coming towards you; that added dimension really just reinforces the beauty of the animation, and the composition of the picture.”

Lucy Liu talks Kung Fu Panda 2

For Jackie Chan’s involvement, silliness was a requirement most days. The character’s joking manner was perfectly served by Chan’s jovial work attitude—it could almost be mistaken for a case of type casting. Chan says, “It’s so much fun playing Monkey that it doesn’t even feel like a job. We’re very much alike—we’re good at martial arts, and we can use joking as a screen, to hide the fact that before our opponents know it, while they’re laughing, we’ve beaten them. But then a lot of times, I just joke for fun.”

Additional new cast members include MICHELLE YEOH as the Soothsayer in service to Lord Shen, whose visions of the future play a key role in the destiny to come; DANNY MCBRIDE as Shen’s minion, the Wolf Boss; and DENNIS HAYSBERT as Master Storming Ox. The cast also features action superstar JEAN-CLAUDE VAN DAMME as Master Croc and VICTOR GARBER as Master Thundering Rhino.

With the return of the Furious Five, Po’s new life of awesomeness is threatened by the emergence of a formidable villain, Lord Shen (GARY OLDMAN), who plans to use a secret, unstoppable weapon to conquer China and destroy kung fu. Po must look to his past and uncover the secrets of his mysterious origins—only then will he be able to unlock the strength he needs to succeed.

Kung Fu Panda 2 trailer

Tomato and Eggs : short film

Tomato and Eggs : short film

The short film “Tomato and Eggs” is a flash back to 2002. Watch this award winning short film directed & written by Shawn Chou and starring Lisa Lu, Sab Shimono, Keiko Agena and Michelle Krusiec. Can a mother’s passion for cooking food keep her family together? Get a motherly perspective on taking care of the family with a few simple rules.

Tomato and Eggs : short film

Take ‘Em Up by Sh*trobot x Nancy Whang

Take 'Em Up by Sh*trobot x Nancy Whang


Sh*trobot x Nancy Whang teamed up for the track Take ‘Em Up off the “The Cradle To The Rave” album. LCD Soundsystem & Juan MacLean singer/keyboardist Nancy Whang is at the center of the video. She wanders around in industrial landscapes, railroad tracks, and back alleys, she leaves behind rotoscoped images of herself with various colors and effects. Feel the groove of this electro-house music.

You can cop the song on Take Em Up - Shit Robot or amazon.

Take ‘Em Up by Sh*trobot x Nancy Whang

Through the door I only knew it
Unexpected you’d pretend
Curious to see if you would play the same
So you stick it up until the end

Maybe it’s just a little too late
And when you’re close you’re just a little too close
But it is as far as you’ll go
You’re gonna shake it up, break it up, make it up, take ’em up

Staring at your hands for the answer,
the night was over hours ago
But he said it’s alright
And he said it’s alright
And you know it’s alright
But that’s just no reason not to say no, no
The night was over hours ago

Take too long to break away, you’re ready to go
Now you’re nowhere near the door

Maybe it’s just a little too late
And when you’re close you’re just a little too close
But it’s just as far as you’ll go
You’re gonna shake it up, break it up, make it up, take ’em up

Wait time, waste of time, ain’t nobody gonna say bye-bye
but you try for the love, ain’t nobody gonna say bye-bye

Maybe it’s just a little too late
And when you’re close you’re just a little too close
But it’s just as far as you’ll go
You’re gonna shake it up, break it up, make it up, take ’em up