Daily Archives: October 27, 2011

The House directed by Desiree Lim

The House directed by Desiree Lim

THE HOUSE is a psychological drama about a woman haunted by her not-so-distant past life as a Wall Street banker, searching for her way back into the “real” world that she seems to have been disconnected from.

Jean Kaneko (Natalie Skye), swept away by the tsunami of the catastrophic financial meltdown – just quit her coveted job as an investment banker on Wall Street. After a soul-searching journey traveling around the world, she returns home to Vancouver, still floating in limbo. Instead of settling down, she camps out in an empty home owned by a friend’s rich family who never lived there. A house waiting to be sold when the price is right. Jean moves in – vows to finish her travelogue about her journey. She thinks she’s finally found the perfect quiet time – away from any kind of commitment, no phone calls, no job, no friends – she’s her own boss. So she should have no problem focusing on her writing at long last. Or at least that’s what she thinks. To her surprise, she’s actually not the only occupant in the house. She finds out that if she wanted to stay, she’d have to share the place with some former occupants who’ve turned into bad squatters. A cynical college professor (Alex Zahara), his bitter sister (Emilie Ullerup) married to a devoted husband (David Richmond-Peck), a disgruntled cab driver (Zahf Paroo) and a washed-up drifter (Zak Santiago) — all of whom are not even supposed to be there, because they’re actually dead. As Jean reluctantly confronts these souls as tormented as herself, they inevitably end up in an entangled mass of secrets and lies…

Set primarily in one location, this imaginative drama roams in and out of the lives of lost souls, weaving reality with the other side. A ghost story that meditates on the precious gems along with the missed opportunities in this precarious thing we know as life.

The House directed by Desiree Lim

Kal Penn and John Cho on Tonight Show with Jay Leno

Kal Penn and John Cho on Tonight Show with Jay Leno

Actors John Cho & Kal Penn landed on the Tonight Show with Jay Leno to promote their upcoming film “A Very Harold & Kumar 3D Christmas“. They start off chatting about their connections with President Obama from working at the White House to being invited there. The duo also talk about their very first press tour and the similarities to their Harold & Kumar characters. Watch a special clip from their movie.

Don’t forget to enter to win the Ultimate Harold & Kumar Christmas Prize Pack.

Kal Penn and John Cho on Tonight Show with Jay Leno (Part 1)

Kal Penn and John Cho on Tonight Show with Jay Leno (Part 2)

From C to C: Chinese Canadian Stories of Migration

From C to C: Chinese Canadian Stories of Migration

From C to C: Chinese Canadian Stories of Migration is a community-based educational initiative led by Simon Fraser University (SFU) and S.U.C.C.E.S.S. aimed at raising awareness of these social justice issues among youth and the community at large. During a series of 20 video interviews, the film explores the impact of the Head Tax and Exclusion Act on Chinese immigrants between 1923-47 through the reflections of their Chinese Canadian descendents and recent immigrants. Filmed on location in BC and throughout China’s Guandong province, “From C to C” is a moving, and cinematic, tapestry of Chinese Canadian stories of migration. These stories outline the injustices faced by Chinese migrants during the last century, and the little known affects of migration on the families and communities of migrants. The film contrasts these histories with the views and experiences of contemporary Chinese Canadian youth, leading us to reflect on the meaning of exclusion for those who experienced it, as well as for those who did not. By calling attention to the diverse and transnational nature of contemporary Chinese Canadian identities, the film promotes an inclusive vision of Canada that values members of all communities as global—rather than solely national—citizens.

The film also celebrates how Chinese Canadian pioneers helped to build Canada. SFU’s Teaching and Learning Centre has won a Leo Award for best one-hour documentary program for this documentary.

The clip below is an interview selection with Bill Wong of Modernize Tailors (est. 1913) in Vancouver’s Chinatown. Bill reflects on a poem his father taught him to remember his ancestral village in Taishan, China.

Here’s a few other Chinese Canadian documentaries to check out: Lost Years, Unwanted Soldiers, and In the Shadow of Gold Mountain.

From C to C: Chinese Canadian Stories of Migration

The Silencing x Everything I Am

The Silencing

Evolution Core studios comprised of Tim Choi and Solomon Omar released a short film “The Silencing”. The duo wrote the short, shot it, put the soundtrack on it, added visual effects and edited it. Here’s more about the short:

In a world plagued by paranoia and oppression, one man stands against a new law that requires artists and musicians to submit to the will of an overreaching government. This short story of betrayal and redemption shows the power of one to defend his liberty against all odds.

In addition to the short film, the group also created a music video based on it. The piece draws its content and visual style from the bleak 2025 world from the film. Both projects are intertwined. Again these guys did all their own work from music to video.

The Silencing

Everything I Am by Solomon Omar x Kyle Augustin

Lyrics to Everything I Am by Solomon Omar x Kyle Augustin

Chorus x2

Everything I am,
Everything I done,
It doesn’t amount to what I wanna become and baby here I stand,
And I won’t fall,
You can count on me ’cause I can make the call,

Verse 1

I had to make a choice,
I had to fit the bill,
Like dead presidents remembered only after killed,
This is the second change used to drink to get my fill,
It’s hard to turn the page when all is said and done and still,
I like to think I’m ill,
I like to think I do everything I need to do no matter what the record deal stipulates,
Get your rates, tour dates, everybody speculates but nobody could tell you what this battle takes,
It take a sound mind, and a selective ear,
To hear what you wanna hear when the crowd cries,
For the return of great Alexander incarnate the heavyweight champion of the people listed in column 8.

That’s fuckin’ bullshit we tear up every zip code,
Give all or nothin’ every rhyme is spoken written code,
This the return of something otherworldly and amazing oh I’m never gonna let it go on the verge of renovating an abating role,
Gotta think back ten years to the time I first developed this flow ever since I turned my back on the norm I had to brave and weather storms,
Did a version as a virgin when I dreamt of glory long ago now the people that told me that you can’t rap are eatin’ their words, spaghettios,

Imagine you against the world all you got’s a pair of birds and a tricky list of words,
and they keep you up at night, make you feel that fight or flight, listen you can seize the day, I’ma commandeer the night,

Bridge 1
Some days I struggle just to find the time of day to get away from all this,
You see I need my space and place to go where I can be alone and focused,
My energy and what I love to do and gotta do I’m fightin’ to the end so just understand,
I choose to live my life this way every day it’s something new I’m pushing through the struggles, and all the troubles,
I won’t let it get in my way,
I’m only here to seize the day!

Chorus x 2

Verse 2
So I live in wonderland,
So you can understand,
I made my fantasy reality in future plans,
I think about the past though my life is movin’ fast,
I still got time to turn around and see you finish last,
You on a beaten path, we got a roadmap,
We rollin’ down 120th with store brands,
Just dissassembled hope, pieces hangin’ by a rope,
Just take that bar of soap and shove it down your throat man,
I’m cleanin’ house now, you peepin’ on my game,
Don’t be a Tom, Jerry always get the last laugh,
One thing you should know about us is that we rock hard,
And we about to fuck this game until it can’t walk,
I’m about as sugar-coated as a piece of burnt toast,
The pain sucks but the truth ends up hurtin’ most,
Out of the ordinary, this is my solitary, this is the high we’re on, don’t look down the drop is scary,

Bridge 2

Music’s my melody my harmony my everything a chance to be heard,
Speak and deliver my words,
To the masses I blast it and cast it so fast you can’t pass me without lookin’ back and askin’ yourself, who was that,
So I spit in the mic, ’bout my life, the constant fight about decisions I made that I’m hopin’ are right,
All I wanna do is break through and let you know this is true,
This ‘aint a game, this what I was born to do,

Chorus x2

Breakdown

And as life goes on, every man for himself,
But it’s respect that gave me light to put my trust in someone else and though the song may die,
The music goes on,
And the light at the end of the tunnel’s actually the break of dawn,
Assisted suicide, here we call it do-or-die,
‘Cause everyone’ll fry, better make it super-size,
At supersonic speed I approach the morning sun,
Let’s go out with a bang like a smokin’ loaded gun.

Chorus x2

Paradise by Norwegian Recycling

Paradise by Norwegian Recycling

Mashup artist Norwegian Recycling dropped his latest work “Paradise.” This time he blends up a the new Coldplay single “Paradise” as the maintrack and 5 other vocal-tracks to fit the instrumental. It’s a whole new take on these love songs.

Here’s the samples used in Paradise:

1. Coldplay – Paradise
2. Elton John – Your Song
3. Britney Spears – Hold It Against Me
4. Bruno Mars – Marry You
5. Dj Sammy & Yanou feat. Do – Heaven
6. David Guetta feat. Usher – Without You

You can download the mashup FREE here.

Get an earful of Norwegian Recycling with his other mashups including Don’t Stop Believin’, Kiss, Miracles, Open Your Eyes, and Mash it up.

Paradise by Norwegian Recycling

Mitchell Grey interview with channelAPA.com

Mitchell Grey
To understand the beauty of Mitchell Grey’s artistic chemistry, compare Ryan Bandong’s solo recording of his hit song “Hazel” to the version he performs with bandmates Joseph Diaz, Napon Pintong, and Matt Pana. An infectiously catchy, upbeat pop track on Bandong’s debut EP, “Hazel” takes on an even richer sound when injected with the band’s self-described “alternative R&B and indie-pop” flavor. Each song is performed with the same deep, full quality – one that is only achieved when a piece consciously highlights every instrument rather than blends them in the backdrop. Their music is genuine, performed with precise musicality, and ultimately showcases the unique talents of each of the four musicians. Throw in the fact that the guys genuinely seem to love performing with each other, and Mitchell Grey is a musical collaboration that works.

The band credits its start to Bandong’s artistic vision, and in its early age, used his established popularity in the YouTube scene to help market the fledgling project. Bandong, 20, who currently has almost 28,000 subscribers on his personal YouTube channel, started putting up videos in 2009 and released an EP, “Surrounded by White Walls,” in July 2010. But when he turned to his three friends to help move his music in a new direction, and the group realized their undeniable chemistry together, a musical partnership evolved that went beyond highlighting just one central musician.
Mitchell Grey
“I think the core and the origin of the band is really Ryan,” said Pana, 23. “He was initially at the center of everything, of the music and the marketability of the band. But now I feel with all of us bringing different parts to this whole band, it’s become something that’s not just Ryan alone or us alone. Now it’s more of a collective, and not just one person.”

“We all shine together,” Bandong added.

All of the band members had experience in the music industry before Mitchell Grey, and each has stories to share of trying to find his own place in the scene. Pintong, 21, also pursued a solo singer/songwriter career via YouTube, uploading covers, originals, and collaborations with artists like Bandong and AJ Rafael. Pana played the drums in various bands in New York and New Jersey, while Diaz, 22, spent a year on the West Coast trying to jumpstart his career with help from the large YouTube community there. The synergy between them as Mitchell Grey marks a significant turning point in four very unique musical careers.

“Each and every one of us are all just filters for everyone else,” said Pana. “We bring the best out of each other. The clutter from our past experiences as musicians and everything else – that all came together for a more refined and a more pure sound, and it’s just growth from here on out.”

Though the members are continuously working to blend their different styles, they also aren’t looking to limit their sound. Apart from trying to create what Diaz called “an aggressive musical ‘soundscape,’” the band allows many different influences to find their way into different tracks.

“For just this one part, we might have a ska fill or an R&B fill,” Bandong said. “We really just grab inspiration from everywhere.”

They also grab inspiration from one another. Diaz in particular believes his personal sound has evolved from collaborating with his band mates.
Mitchell Grey
“I’ve noticed that now, even when I write stuff away from the band, I have a touch of Ryan’s lyrical stuff in there, a touch of Napon’s grooving and Matt’s grooving,” explained Diaz. “It’s kind of cool how our joint work has changed us as individuals and it’s been a really enlightening experience because of that.”
As a band with close ties to both the YouTube and Asian-American communities, New York-based Mitchell Grey found that starting out on the East Coast, where both scenes are much smaller, was actually to their advantage. The band had the opportunity to develop with much less competition from artists vying for a similar target audience. But while they may not make the West Coast a home base anytime soon, they are planning to take a trip out at the end of the year.

“I recorded my debut EP in San Diego,” Bandong said, “and that’s where we’re going to go in late December to record our album.” As to why he didn’t permanently move to California during his solo career, Bandong explained, “I didn’t feel it. [My music] didn’t come out the way I wanted it to. But with these guys…it’ll all come together.”

Since three of the four band members are Asian-American, there are definite cultural influences that find their way into the band’s identity. Pintong pinpointed family-oriented values and anime as two of the most prominent of these influences. But the guys don’t want to typecast Mitchell Grey as being just about one distinct culture. Having just done shows for Flipino, Indonesian, and Latin American causes, Bandong said, “We love learning about every culture together.”

The band is currently slated to release a full-length album in 2012 and have ambitious plans to eventually tour the world together. Traveling and putting out new material are top priorities on the agenda. When asked about the future direction of Mitchell Grey, the general consenus was “more” –more shows, more interviews, and more memories.

As the group continues to face the unique challenge of moving from a Ryan Bandong-fronted band into a completely unified Mitchell Grey identity, they are determined to make their passion the focus of their promotion.

“It’s not even about me or about us,” Bandong said. “In the end, it’s really about the music and the art that we have. We believe in it so much that that’s our market – our music.”

If you’re in Toronto this Friday, be sure to catch Mitchell Grey at EL MOCAMBO – 464 Spadina Avenue (Intersection of College & Spadina). Get more details here.

Mitchell Grey interview with channelAPA.com