Daily Archives: August 9, 2010

Breathing Underwater – Part 16

Breathing Underwater the movie with Marie Digby

Will creative differences between Marie Digby and Kyle cause a riff in their relationship? The two fight about where they stand with each other. Would you give up the one you love for your passion? Watch the next episode of Marie Digby’s music film series “Breathing Underwater”

Previous episodes:
Breathing Underwater – Part 1
Breathing Underwater – Part 2
Breathing Underwater – Part 3
Breathing Underwater – Part 4
Breathing Underwater – Part 5
Breathing Underwater – Part 6
Breathing Underwater – Part 7
Breathing Underwater – Part 8
Breathing Underwater – Part 9
Breathing Underwater – Part 10
Breathing Underwater – Part 11
Breathing Underwater – Part 12
Breathing Underwater – Part 13
Breathing Underwater – Part 14
Breathing Underwater – Part 15

Breathing Underwater – Part 16

Snorfin with Bobby Lee : Episode 10

Snorfin with Bobby Lee : Episode 10

This San Diego contestant from the “box” goes up river Avatar style. Does he hit the sweet spot and win? Or miss it and lose? Or miss it and win? The rules don’t apply in this crazy 10th and final episode on Bobby Lee’s Snorfin Mini-Game Show! Bobby Lee puts contestants through a “little bit of hell” having each one spin a wheel of fate to face several options including eating, drinking or bobbing for some forbidden drink, food and/or fruit. If the contestant can “seem normal and fit in” (snorfin), they win!

Snorfin with Bobby Lee : Episode 10 (San Diego “Box”)

Previous episodes:
Snorfin with Bobby Lee : Episode 1
Snorfin with Bobby Lee : Episode 2
Snorfin with Bobby Lee : Episode 3
Snorfin with Bobby Lee : Episode 4
Snorfin with Bobby Lee : Episode 5
Snorfin with Bobby Lee : Episode 6
Snorfin with Bobby Lee : Episode 7
Snorfin with Bobby Lee : Episode 8
Snorfin with Bobby Lee : Episode 9

Help fund Descendants of the Past, Ancestors of the Future

DESCENDANTS OF THE PAST, ANCESTORS OF THE FUTURE

Asian American director and actor Albert M. Chan launched pre-production for his upcoming dramatic film DESCENDANTS OF THE PAST, ANCESTORS OF THE FUTURE with a new website and fundraising campaign. Visitors to the website, located here, can read more about the film, watch behind-the-scenes videos, and make contributions to the project.

“The story is one that’s very close to my heart,” Chan reveals. “Based on the circumstances a half century ago which led my grandfather, Art Kem Lee, to immigrate to San Francisco while my mother, Betty Chan, immigrated to Toronto, the story is told in the present day from the point of view of an expectant father who desperately needs to find out how his mother and her own father could have lived apart for most of their lives. DESCENDANTS OF THE PAST, ANCESTORS OF THE FUTURE is a universal story about the sacrifices families make, and the powerful bond that ties all generations of a family together – living, deceased, and yet to come.”

The project will be beautifully shot on 35mm film by Emmy-nominated cinematographer Cira Felina Bolla. “Cira’s words to me was that she was ‘completely blown away’ with the beauty of the script,” Chan recalls. “She’s one the few female cinematographers around, so she brings a different interpretation and sensitivity to her work.” Chan’s goal is to raise $25,000, which will cover the costs of shooting on 35mm film. (He’s already raised $7,500.) Learn more about the funding here.

As part of an underrepresented ethnic minority in film and TV, Chan wanted to tell a meaningful story from his own unique cultural perspective as a Chinese American. Chan hopes to connect the finished film with audiences at international film festivals, immigrant advocacy groups, educational institutions, Asian community groups, Asian youth groups, broadcast television, socially conscious artistic groups, and Asian historical organizations.

“I really hope the film resonates strongly with immigrants like my mother and grandfather who had the bravery and foresight to forge a better future for successive generations, as well as with the children of immigrants like myself, who often struggle with issues of cultural identity and their sense of belonging,” Chan says. Hopefully, they’ll understand the incredible strength of kinship, which can span generations and continents.”

Writer/director Albert M. Chan talks about how his family’s immigration history inspired specific parts of the screenplay and how his mother reacted when she read the screenplay.

Updated video for Descendants of the Past, Ancestors of the Future funding

Thrill by Mike-Dash-E

Thrill by Mike-Dash-E

Mike-Dash-E dropped a new cut off his upcoming album called “Dash with Me”. He gives you some straight HIP HOP fire with the feel good sounds of 6 fingers. You can download the song FREE here. The album is set to be released September 2010.

Mike-Dash-E had been busy on the collabs. Peep these videos: Heavyweight, Baby What You Drinkin, The Funeral, and Take It There.

Thrill by Mike-Dash-E (contains profanity)

Monthly Sulu Series to end in NYC

Monthly Sulu Series to end in NYC

Sad news out of NYC about the monthly Sulu Series. After 5 years in NYC, the monthly Sulu Series draws to a close. The growth of the Asian American arts scene is making the monthly event less relevant in a good way. Read the message from Sulu Series founder Taiyo Na.:

Dear Sulu Series Artists & Supporters,

I’m writing to let you know about what the committee of folks who run the Sulu Series have recently decided about its future. Sulu Series as a monthly series at Bowery Poetry Club will end this upcoming September and then transition into a bi-annual or annual event after that. Our official last monthly date is Sunday, September 19 with special feature Bao Phi from Minnesota and many more friends. This last monthly show is also our 5th year anniversary and will be a benefit for the APIA Spoken Word & Poetry Summit in 2011 in Minnesota.

This August 15, we will have our second to last monthly Sulu Series featuring Marco Mercado, Crystal Leigh, Intalek, Jay Legaspi and Kilusan Bautista with host Koba

Some of us are saddened, but most of us understand that it’s time for a change. Since Sulu started in ’05, there’s a lot more going on right now for young Asian Americans in the arts in New York City than ever before, making Sulu in New York (not DC or elsewhere) less relevant and urgent, and in a good way. Over the years I’ve seen each artistic discipline – especially poetry, comedy and music – grow tremendously, with each discipline further carving out their unique communities to foster their intimate growth. From Ken Chen revitalizing the Asian American Writers’ Workshop in really inventive and beautiful ways, to the monthly Mouth to Mouth open mic Jen Kwok & Ed Lin host there, to Kollaboration NY being such a success, to Kundiman’s reading series and retreats pressing on and expanding, to the various youth-centered events at Project Reach fostering another generation of shakers, I really can stand back and say that this Asian American arts community in New York City is progressing.

I want to express how grateful we are for your support of Sulu through the years, whether near or far. Much thanks must go to the Bowery Poetry Club for hosting us all these years. Together as a community we have showcased hundreds of Asian American poets, comedians, musicians, theater artists and filmmakers. We’ve held benefits and raised awareness for and alongside dozens of organizations and causes. Our shows have served thousands of audience members, and we’ve helped to cultivate a canon of Asian American culture that is priceless in its worth and impact.

What all of us Sulu folks would really like to do now is to filter as much of our audience and network into the various mentioned events going on throughout New York City, as well as other events and groups across the country that deserve much attention. Please see the list below.

It’s been a great honor and pleasure to serve this community with you through Sulu. As mentor and Program Director of Project Reach Fay Chiang has told me, Sulu Series in New York City is “graduating.”

Keep keepin’ on.

Sincerely,
Taiyo Na

Taiyo Na interview with channelAPA.com earlier this year

LIST OF EVENTS & GROUPS ALLIED WITH THE SULU SERIES ACROSS THE COUNTRY

NEW YORK:

Asian American Writers’ Workshop (AAWW)
http://www.aaww.org/aaww_events.html

Ed Lin & Jen Kwok’s Mouth to Mouth Monthly Open Mic @ AAWW
http://jenkwok.net/blog/
http://www.aaww.org/aaww_events.html

Kollaboration NY
http://kollabny.blogspot.com/

Kundiman Retreat & Reading Series
http://www.kundiman.org/

Project Reach NYC
http://projectreachnyc.org/

PHILLY:

-Family Style Monthly Open Mic Series @ Asian Arts Initiative
http://www.asianartsinitiative.org/programs/performances.php

BOSTON:

-Boston Progress Arts Collective (BPAC)
http://bostonprogress.org/

DC/MD/VA Area:

-SULU DC
http://www.facebook.com/group.php?gid=155388419558

-Kollaboration DC
http://kollaborationdc.org/

SAN FRANCISCO BAY AREA:

-RAMA
http://www.gostudiorama.com/

SEATTLE:
-isangmahal arts kollective
http://www.isangmahal.org/

LA:
-Tuesday Night Cafe
San Fhttp://www.tuesdaynightproject.org/

Mari.kris.am.i of Umamiya!

The channelAPA.com exclusive interviews with members of Umamiya continues. Previously, we’ve profiled members Cathedral Leung, Winnie Wu, Kim Min Jung, and Kitty Karaoke.

Mari.kris.am.i of Umamiya

On her past:

Most likely found at the nearest Jollibee restaurant in Los Angeles, Merry Christmas (aka Mari.kris.am.i) of Umamiya makes up the Filipino percentage all girl Pan-Asian Pop group. Mari Kris was born in the Philippines to a low-income family. Mari Kris prides herself with the fact that she was born singing: “When I was born, my mother told me I cried in the whistle range, like Mariah Carey.” Her first actual memory of singing was at the of 3, while she was doing chores. While cleaning the kitchen, Mari Kris sang Ihilak by Filipino crooner Victor Wood. “I was like one of the dwarfs in Snow White, whistling while I worked…” Because her parents were so supportive of their daughter, Mari Kris was told to sing all the time, at every opportunity, even while selling food on the streets. “…I had many fans who said my singing was ‘Eargasmic.’”

Her self-proclaimed “God given talent” as a singer formerly helped her acquire a recording contract with S-Cube Entertainment’s competitor, Hoy! Records. While the president and CEO of the recording label gave notice to Mari Kris’s gift as a singer, she was usually put into a background singer position. “He did not think Mari.kris.am.i had a very marketable image,” her description explains. “Hoy! Records was a HOY! Nightmare,” she exclaimed in an email interview, “Have you ever heard of those, how do you say, NIGHT TERRORS?  It was like that.  Except at least with night terrors, you wake up.  And then maybe you make yourself a nice light snack, maybe have a Fruit Roll-Up or some kind of a Funnel Cake.  At Hoy! Records, you DO NOT wake up and they forbid all types of snacking.  Dios ‘ko!  NIGHTMARE talaga!!” In the end, Mari Kris had a falling out with the President and CEO and left the label. She defends her actions by explaining that the head of the label was intimidated by  her “musical genius”, when in truth, she could not overcome his disappointment in her. When asked to compare her past and present recording label, Mari Kris gushes: “S-Cube is a wonder…They should carve his face on a mountain…”

If given the chance to go back in time, Mari Kris would tell her younger self to have more fun, “because fun is what makes the world go ‘round.” She would also tell herself to invest in Google and teach herself how to invent the computer. Though she has never won any conventional awards, Mari Kris feels she’s been rewarded in different, interesting ways: “I get fan mail, at least one fan-email per 6 weeks.  And, when I go to Jollibee, sometimes they give me an extra wing when I order the Chicken Joy Combo.  That is like awards, right?”

On Umamiya:

Merry Christmas

She is now proud to say that S-Cube Entertainment’s Sang Sung Song recognizes her true talent and that is why she became a member of Umamiya. Though she was primarily flattered that she was chosen to be a part of the group, Mari Kris said that it was right in the nick of time: “It was a shambles before I arrived. S-Cube is a smart cookie cutter to bring me in.” She thinks that S-Cube really needed someone to mix it up like a good halo-halo (a Filipino dessert) with Frosted Flakes. She describes herself as humble and modest to a fault. “If I get a compliment, I blush so RED, like garnet red, you know?  RED like a beautiful red rose – dewy & perfect in every way.” Mari Kris, like the rest of the girls, told me that S-Cube made her the leader.

She admires the girls’ attitudes toward constructive criticism, since there are so many. She also feels the girls are all good girls with their own sense of spunk. But that is as a group; individually, Mari Kris had different things to say:

To Mari Kris, Winnie “WWII” Wu is really a “princess rabbit.” The Filipina explained that, that means Winnie is not a rapper. “You know who can rap? That’s right, ME. AND, I can rap in WHISTLE RANGE.” Despite the fact that people tend to complain about her rapping, Mari Kris brushes it off: “Crybabies crying… ‘Ouchie, it hurts! My eardrum!”  Mari Kris compares the next member to another animal, but it’s not what you think: “Cathedral is like a gazelle—lean & so alert.” She describes how everything catches Cathedral Leung’s attentions. When Leung is “grazing”, her ears and hair prick up. She goes on to say how Cathedral is like a gazelle running with one mythical beautiful dragoness (Mari Kris), a mangy princess rabbit, and two lemurs. Kitty Karaoke is the first of two lemurs. Mari Kris explains her comparison with the fact that Kitty has big eyes and a keen sense of smell that the Filipina categorizes as “freakish.” Kitty is also very sensitive—emotionally and even metaphysically. “I looked at her once and the next thing I know, she got a bruise on her forehead. It was so talagang bizarre.” Kim Min Jung got the best .. or worst (depends on how you see them) reviews from Mar Kris. “She is probably the best person who really listens to all we have to say about her shortcomings. She just smiles and nods. Then she giggles.” Mari Kris is also amazed by Min Jung’s ability to make any hand sign in photos. “Have you seen them? Like a heart and the peace sign and this building with a tall point.”

When asked if she wrote any of the group’s songs, Merry Christmas said that writing musical comes naturally to her. “I take the OVERALL process of music very seriously. It’s part of an artist’s growth and I’m ALWAYS growing, like this and like that, don’t you agree?” In one year, she hopes the group will dominate the world. She wants their songs to be playing in elevators, on TV shows like Grey’s Anatomy, and movies such as Harry Potter. She also envisions some of the greats to admire them. She writes, “I…envision my idols Mariah Carey & Madonna (I LOVE “Ray of Light” Madonna) covering HOT SOUR SPICY & SWEET, acoustic and electronic version, respectively.”

“I’ll share this with you – I am a bit of a prankster,” she responded to the question about her most memorable moment with the group. She tends to prank the rest of the girls when they least expect it. “You know, like plastic wrap the toilet, salt in the sugar jar, Tic-Tac instead of Prozac in Kitty’s pill case.” She said the best part was their expressions afterwards. She believes her pranks have brought the girls closer. To any hopeful person planning to take the same path as Mari Kris, she suggests you take over the internet first along with some presents: “It’s important to have a Facebook page and have some giveaways always on hand—like magnets with your face on it.” But the number one thing to remember, or better yet forget, is your self-image: “And most importantly, being SKINNY is NOT IMPORTANT. At all.” This fact is show when Merry described the most fun part about being in Umamiya which is, “the special time when you can be by yourself—after the endless rehearsals, after the recording sessions, after the photo pictorials.” She loves the fact that she gets time for herself to contemplate about how much fun she is having, “then maybe have a sandwich.” But with the good comes the bad. The fact that the list of things the group has to do is endless is the hardest thing for Mari Kris. She talks about how they are constantly working and sometimes she needs to stop and do a Sudoku puzzle or something.

She likes to believe that the best features she contributes to Umamiya  are her lips with their “really shiny shellac-y finish.” She also includes her brain in that list. When told to describe herself by choosing between: The Leader, The Jokester, The Quiet One, The Fashion Diva, and The Nerd, Merry answered: “As Chaka Khan once said, I’M EVERY WOMAN.  I’m at once complicated and then at once simple.  Does that make sense?  We are what we think we are and I think I am all things – I’m EVERY Woman, except maybe that Nerd one.”